Accompaniment Techniques A 1 Guitarra |
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Accompaniment Techniques A 1 Guitarra
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Knowledge of the structure of a musical accompaniment in works of each historic period and the ways they were performed. Acquisition of essential technical command in order to accompany voices and other instruments in a stylistically correct manner. Identify the fundamental harmonic concepts in the repertoire played. Knowledge of the types of accompaniment techniques applied to the Guitar and the Harp.
Identify the fundamental harmonic concepts in the repertoire played. Knowledge of the types of accompaniment techniques applied to the Guitar and the Harp.
Since the objective of this C.U. is the acquisition of knowledge and skills so that the student can intervene in a variety of artistic and musical contexts, the syllabus indicated is selected in order to meet the scope of the issues involved.
The teaching methodology is based on systematic and organized presentation of information through questioning, critical analysis and research suggested by the teacher, complemented with its study and discussion and with the score reading of selected works with accompaniment, under the guidance and supervision of the teacher in order to ensure knowledge and skills acquisition process, as specified in the C.U. objectives - The evaluation process is based on observation of the quality of participation in the activities developed during the course, including preparation for class, presentations and other tests or exams, verifying the level of the acquired knowledge and skills as specified in the C.U. objectives
The coherence between the teaching methodologies with the learning objectives is assessed and demonstrated by the very nature of the performance and progress of students in classes, presentations, papers and exams.
Schaler/ K. Scheidt, Lehrwerk für die Gitarre 5 (UE, 1941); P. Croton, Figured bass on the classical guitar (Amadeus, 2005)
(1) P:Practice, T:Theory, TP:Theory&Practice, E:Internship, OT:Tutorial Guidance, S:Seminar, PL:Laboratory