Program
Preliminary program
Thursday, 24th November
Lisbon's Superior School of Music (ESML)
Morning
9:00
Registration
10:00
Opening Session
Conference presentation: Isabel Pires, Rui Pereira Jorge
Institutional presentation: participants to be appointed
11:00
Coffee Break
11:30
Keynote Speech
Ian Pace
12:30
Lunch
Afternoon
14:30
Panel 1 : Room 1
Makis Solomos
On the supposed nostalgia of the ecological approaches of music and sound
Adrian Smith
Beating the Past into Shape: Recycling Strategies in the Music of Gerald Barry
Joseph Delaplace
L’écriture comme présence du passé dans la musique du XXe siècle
Patrick Becker
“New Conceptualism” and the Overcome of Postmodernism
14:30
Panel 2 : Room 2
Martin Knust
The Old in News: late Romantic aesthetics in current TV news and documentaries
Otilia Constantiniu
National musical style – a problem of musical or national identity?
Maria da Rocha Gonçalves
Bet Rot: a case study
Rafael Leonardo Junchaya
In search of lost contact. A step back in style as a means to revive the musical experience.
16:00
Coffee Break
16:30
Panel 3 : Room 1
Filipa Magalhães
The presence of the past on the music of Constança Capdeville: an analysis of the work Mise-en-Requiem
Madlen Batchvarova
Orphic Scions of the Mountains
Damien Bonnec
How old in new ? Hypothèses quant à une fatigue du style
Aleksandra Bilinska
Aesthetic and conceptual affiliation of classical narriation in electro-acoustic music by polish electro-acoustic music by polish women composers
16:00
Panel 4 : Room 2
Marilena Laterza
Rewriting the past in recent art music: ‘serious’ and ‘unserious’ remakes of Gesualdo’s Moro, lasso
Yulia Kreinin
Choosing an Influence, Or the Rorschach Test: Images of Bach as Reflected in 20th Century Compositions
Elena Maria Șorban
Transylvanian art music – Traditions reflected by contemporary composers
Federico Spinetti
Militant Memory: the legacy of the WWII antifascist Resistenza in contemporary Italian popular music
18:00
Break
18:30
Concert 1
Wolfgang Rihm — Wölfli-Liederbuch
Arvo Pärt — Adagio
João Llano — Transfigurîgo
Pedro Finisterra — ¡¿Lamento?!
Jorge Ramos — Recompor v2!
Ivan Moody — Lumière sans déclin
Daniel Davis — Redefinition
Friday, 25th November
Faculty of Social Sciences and Humanities (FCSH)
Morning
9:00
Panel 5 : Auditorium 1
Andreia Nogueira
On the interplay of past, present and future. How can contemporary art conservators contribute to the preservation of the contemporary musical heritage?
Giuliano Bracci
Transcription as a form of active listening two experiences from the composer’s perspective
Jeremy Barham
In with the Old and Out with the New: Remixing Mahler and the Problems of Technological Historicism
Elena Abbado
In search of the fathers: Francesco Filidei’s Fiori di Fiori (2012) and Killing Bach (2015)
9:00
Panel 6 : Room 413
Kevin Gohon
Un paradigme de l’ornement dans les oeuvres électroacoustiques de Luigi Nono?
Max Erwin
“The Row Less Travelled: The Advent and Legacy of ‘Total’ Serialism”
Nuno Fonseca
Untimely glimpses of the sound to come: extra-musical inspirations of the past in contemporary approaches of sound
Violeta Nigro Giunta
Alice in Wonderland and Cinderellaaa...! The Imaginary Museum of Marta Lambertini’s Chamber Operas
10:30
Coffee Break
11:00
Panel 7 : Auditorium 1
Gustavo Penha
Critical Rewriting as a machination of solfeges
Martin Laliberté
Long term tendencies in musical and organological developments : archetypes, models and essential mixt cases
Silvio Ferraz
Réecriture: tradition et hétérogenèse
Christine Esclapez
Cantos Robados (2005) — Fátima Miranda. Ou comment «dérober» le passé pour le «mettre au présent». Ou comment « dérober » le passé pour le « mettre au présent »
11:00
Panel 8 : Room 413
Vincent Cotro
What’s new ? Le passé recyclé dans le jazz contemporain
Chris Inglis
Sampling the Past: The Role and Function of Vintage Music within Electro Swing
Jane Alden
The Great Learning Redigested
Marijana Mitrovic
Pop-Folk Music and Serbian Youth: Affect, Class and Memory
12:30
Lunch
Afternoon
14:30
Special Session: Auditorium 1
Ian Pace — City University of London. School of Arts & Social Sciences
Camden Reeves — University of Manchester. School of Arts, Languages and Cultures
Rita Macedo — Departamento de Conservação e Restauro – FCT – UNL
João Soeiro de Carvalho — INET-Md – FCSH – UNL
Jorge Matta — CESEM – FCSH – UNL
Ivan Moody — CESEM – UNL
16:00
Coffee Break
16:30
Panel 9 : Auditorium 1
João Nogueira
“Restyling” musical: roupas novas em músicas velhas
Elise Gayraud
Creating new traditions: Contemporary folk music in a globalising world
Kilder Danjas
Expandindo a criatividade: um estudo sobre as práticas de performance não-convencionais aplicadas ao contrabaixo
18:00
Break
19:30
Social Diner
Saturday, 26th November
Lisbon's Superior School of Music (ESML)
Morning
9:00
Panel 10 : Room 1
Daniela Silvestre, João Porfírio
The Hills are alive with the sound of Muzak...’ – Quando o Muzak também é arte.
Dominika Porębska-Kwaśnik
Relecture du Passé dans la recherche de l’Avenir. Dimensions et défis des grandes oeuvres.
Eun Ji Park
How New Technology Can Change to Old Tradition of Musical Education? – Suggestion of Visualization in Computer-Assisted Music Education for Education of Musical Dynamics
Katrin Stöck
‘Old‘ music for a ‘new‘ life – The discussions about national opera in the first centuries of the GDR (East Germany) between cultural heritage and musical advancement
9:00
Panel 11 : Room 2
Gonçalo Gato
Computer-assisted composition based on a XVII century madrigal
Julien Ferrando
Relire et Re-produire les Musiques Anciennes dans Notre Monde Contemporain : Entre Reconstitution et Création
Sébastien Lambert
Le sampling ou la reformulation musicale
Panos Amelidis
Sound recording, and technology: forging the past into musical composition
10:30
Coffee Break
11:00
Panel 12 : Room 1
William Drummond
Presence and (Anti)monumental Seduction in Pesson’s ‘Erasure’ of Bruckner’s Sixth Symphony
Guilhermina Lopes
Tombeau for a savage artisan
Francisco Pessanha de Meneses
“Man that is born from a woman” ou o processo de referenciação de Henry Purcell na música de cena para “Gertrude” (2013)
Cristina Benedita
Old patterns and new patterns of the voice and the body
11:00
Panel 13 : Room 2
Dimitri Kerdiles
Pésence du «bourgeois» dans la musique d’Helmut Lachenman
Diogo Alvim
String Quartet – Reconfiguring an Old Typology
Edward Ayres de Abreu
O cravo na ópera portuguesa do século XX: de Ruy Coelho a Joly Braga Santos
John Fallas
Quartet stations: the cross and beyond in string quartets by Dillon and Sciarrino
12:30
Lunch
Afternoon
14:30
Keynote Speech
Camden Reeves
15:30
Coffee Break
16:00
Concert 2
Jorge Peixinho — Harmonicos
Carlos Marecos — terras por detrás dos montes
Isabel Pires — Untied scrawls
Jorge Peixinho — Sax blue
Antonio Pinho Vargas — Suite para Violoncelo
Luciano Berio — Sequenza para voz solo
17:00
Closing Session
